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when i get old, i want to grow my hair long. i want to let it turn grey, and then white. to remind me that we are not so different from leaves.

Edna St. Vincent Millay

Edna St. Vincent Millay

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Don't Leave Me (Ne Me Quitte Pas)

Don’t Leave Me (Ne Me Quitte Pas) - Regina Spektor
cannot. wait. for this album. to drop.

taurus

here, i am a bull in a china shoppe. 
i am an asshole, because
i took a bite out of every
Godiva chocolate. 

Her smile is fashioned from porcelain,
though She is nothing like a doll.
She sifts shards, 

rebuilds its curvature every morning.
solemn architect, molding soft. as if 
there are no earthquakes here.

and i am sorry, but also very busy
missing your knees and ankles this morning,
and sorting my manic 
into boxes.

there is cardboard everywhere.
little cities spreading anthills on the hardwood.
we are expanding, and thus must first
pack away our nothings, our black holes.

(i worry
they still will swallow us.)

we are building. and i am wanting your
hip bones, and She is wanting for chocolate,
and tomorrow we unpack the china closet,
and maybe it’s not my fault, but surely

i’ve grown horns since the last time
i lived here.

the human heart is approximately the size of a closed fist

i.
there are parts of myself that I still do not understand.
i coax them, little hedgehogs, into your hands.

i am tremulous.
you are a cumulus.
we are pedantic.

ii.
we kiss. 

you are an ellipsis.
i am a semicolon.
we are pretentious.

iii.
there are parts of you that I still do not understand.
this makes us whole.

i exhale. and watch you lace
between my fingers.
i make a fist.    

Paul Gauguin playing the harmonium in Alphonse Mucha’s studio, Rue de la Grande-Chaumière, Paris, c.1895.

Paul Gauguin playing the harmonium in Alphonse Mucha’s studio, Rue de la Grande-Chaumière, Paris, c.1895.